Baby Driver – review

Edgar goes to Hollywood. Empty from the start, but for a time at least impressively assembled, like a hyper-budget music video bolted onto a screenplay. Ends up a  disappointing bag of Americanese clichés it fails to subvert and only occasionally manages to undercut, careering wildly from thrill to spill with the sum cinematic impact of a less impressive music video. Come back to Blighty Ed.


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